Thursday, 21 April 2016

Police Boxes and Screwdrivers is moving


Welcome back! After that two week hiatus Police Boxes and Screwdrivers is back! I've got a lot to tell you. Are you sitting comfortably?

So there is good news and bad news! Let's start with the bad news! So, basically when I started this blog I was about three seasons ahead of my reviews so I released them daily, so my blog would be up to date as soon as possible. When I got to Season Four and started reviewing missing episodes, I cut down to a new review every two days! Now, I'm cutting it down even more.

Starting from today Police Boxes and Screwdrivers will be posting a new review twice a week, every Tuesday and Friday! But you won't be able to find them on this because...

We're moving! As of today this link (policeboxesandscrewdriver.blogspot.com) will be useless as I will stop using it and all new reviews will be posted to the new and updated blog, now serviced by WordPress. The reasons lie in the fact WordPress are able to fit my needs better, and the blog can look more professional.

Click here to go to new and improved Police Boxes and Screwdrivers


I have added all (and updated) previous reviews and categorized them by Doctor, Writer, Enemy, Companion etc. All the menus looks rather nice as well! Check out the this page if you don't believe me! Look at the pictures! And the titles! Ahhh! As you may have guessed I am very excited about this!

Be sure to check out new reviews every Tuesday and Friday, and feel free to browse through old ones using my awesone menus on the new and improved Police Boxes and Screwdrivers!

To keep updated you can also follow Police Boxes and Screwdrivers brand new twitter account:

Wednesday, 6 April 2016

Blog Announcement: Two Week Hiatus


So, bad news folks!

Police Boxes and Screwdrivers will be taking a two week hiatus effective immediately! I have been working on something and over the next two weeks I will be working hard to make sure it is completed in time for a certain announcement in two week's time, on the 21st of April!

It's big! Well in terms of how big an announcement about a small-scale blog with only a handful of regular readers can be, it's big!

Until then; goodbye!

Monday, 4 April 2016

Season Five: Ranking and Stats

season 5.jpg
Doctor Who: Season Five (1967/68)
2 September 1967 - 1 June 1968
The Second Doctor now comfy in the role, Patrick Troughton stars alongside Frazer Hines, as Jamie McCrimmon, and Deborah Watling, as Victoria Waterfield, in the fifth season of Doctor Who. While most fans acclaim the run highly, I found it to be the worst yet.
Here is my ranking of the seven stories:
  1. The Ice Warriors (9.5/10)
  2. The Web of Fear (8/10)
  3. Fury from the Deep (7/10)
  4. The Tomb of the Cybermen (6.5/10)
  5. The Enemy of the World (6/10)
  6. The Wheel in Space (6/10)
  7. The Abominable Snowmen (5/10)
According to my ratings season five had:
1 Amazing Episode (9+/10)
1 Great Episodes (8+/10)
1 Good Episode (7+/10)
3 Okay Episodes (6+/10)
1 Bad Episode (4+/10)

Averaging these out means season five has an average rating of…                               6.86/10And a range of                                                                                                                       4.5

Saturday, 2 April 2016

The Wheel in Space (TV Story) Review

Title: The Wheel in Space
Writer: David Whitaker
Original Broadcast Date: 27 April 1968 - 1 June 1968

Ninety million miles off course, the silver carrier floats through space, having been missing for nine months. When the Doctor and Jamie land in the ship they discover the crew are missing and the ship empty. Floating into orbit of a nearby wheel, Jamie must act fast before the ship is blown to pieces.

Coming at the end of Season 5, The Wheel in Space is a mixed bag, that boasts great ideas and a decent base-under-siege plot, but definitely lasts two episodes too long.

There is nothing particularly bad about The Wheel in Space other than its pacing. It's actually a pretty decent plot, but it is stretched thin, most notable in the first episode, in which absolutely nothing happens. At all. In fact you could probably skip the whole 25 minutes, and go into episode two with the following knowledge: the Doctor and Jamie land on the Silver Carrier, some people want to blow it up and the Doctor falls ill. Literally nothing else happens. Fortunately the pace picks up (but only ever so slightly) from there.

The Cybermen, now in their fourth appearance, aren't as scary as in their debut, but are an improvement over The Tomb of the Cybermen. The unexpectedness of a certain death had a great effect, making me truly realize the might of the metal men, but other than that, nothing new is presented.

I enjoyed this story most in Episode 3, which reintroduced Troughton after a break from filming, and properly introduced the new companion, Zoe Heriot, who has brilliant chemistry with the Doctor and Jamie, the latter - especially. She is given some great character development in the brilliantly haunting idea based around people being brainwashed into spitting out facts and figures, and forgetting human emotion, which ties in with the Cybermen really rather well.

Cybermen; a companion introduction; a space station; snazzy special effects; and dark undertones: The Wheel in Space has all the ingredients of a brilliant and unforgettable adventure, but is stretched far too thin to make it one.
6/10

Thursday, 31 March 2016

Companion Stats: Victoria Waterfield


Names: Victoria Waterfield
Actor/Actress: Deborah Watling
Doctor/s: Second
Years: 1967 - 1968

After her father is murdered by the Daleks, Victoria joins Jamie and the Doctor in the TARDIS. Plucky, strong-willed and with some great vocal chords, Victoria is a strong addition to the TARDIS and saw a lot of change throughout her tenure.

Episode Ranking

  1. The Ice Warriors (9.5/10)
  2. The Evil of the Daleks (9/10)
  3. The Web of Fear (8/10)
  4. Fury from the Deep (7/10)
  5. The Tomb of the Cybermen (6.5/10)
  6. The Enemy of the World (6/10)
  7. The Abominable Snowmen (5/10)

These average out to make...                                                                            7.21/10
With a range of...                                                                                                  4.5

We can also break this down into meaning Victoria starred in...

2 Amazing Stories (9+/10)
1 Great Ones (8+/10)
1 Good One (7+/10)
2 Okay One (6+/10)
1 Bad One (4+/10)

In my opinion Victoria is at their best in The Abominable Snowmen where she shows her strong-willed independence and delightful curiosity.

Here is a graph showing the performance of Victoria's run:

The red line represents their average (7.21/10). Click to enlarge.

Tuesday, 29 March 2016

Fury from the Deep (TV Story) Review

Title: Fury from the Deep
Writer: Victor Pemberton
Original Broadcast Date: 16 March 1968 - 20 April 1968

Coming in right towards the end of Season Five, Fury from the Deep tells the tale of a gas refinery under siege, home to a boss who shouts everything he says and creatures invading from below, and when the Doctor and his friends arrive they are not believed of the dangers until it is too late. Wait - haven't we seen this one already?

Fury from the Deep follows closely the basic Troughton story blueprint and unfortunately it isn't particularly spectacular in its execution. While it does nothing bad, it doesn't do anything good either, making this story incredibly and remarkably average.

The only real problem with this six-parter is the fact the enemy is seaweed and seafoam, which you'd think would be a lot scarier by the amount of screaming Victoria does around them. On the subject of Victoria, after a season of adventuring, we see her bow out, which was probably the only unique thing about this story. Her exit - unlike Polly, Ben, and Dodo's before her - is hinted to throughout and is really rather good, while - again, nothing spectacular - its sweet and heartwarming.

Troughton is brilliant, especially in a particular scene in the final episode involving a helicopter without a pilot, and Jamie is as good as ever. Some dialogue in the third and fourth parts gives some great insight into his character, showing his complete trust for the time lord.

Absolutely unspectacular, but good fun; Fury from the Deep is a decent base-under-siege that sits towards the top end of Season Five.
7/10

Sunday, 27 March 2016

The Web of Fear (TV Story) Review


Title: The Web of Fear
Writer: Mervyn Haisman and Henry Lincoln
Original Broadcast Date: 3 February 1968 - 9 March 1968

While last time I questioned the sanity of the man who decided to bring the Great Intelligence and their Yeti minions back for another episode; this time I'd question the sanity of the man who wouldn't want to bring them back, after this brilliant second outing, bringing out the best in the monsters.

40 years has passed since Professor Travers left Tibet, but to this day he has never spoken of what really happened. That is until his past comes back to haunt him, and three travelers he met all those years ago arrive, looking not a day older.

What makes me like The Web of Fear comes down to two major things, as what draws from it slightly are two major problems. Starting with what makes it great, the story reunites the Doctor, Jamie and Victoria with Professor Travers, now 40 years older, after his Tibetan expedition (see The Abominable Snowmen). Jack Watling portrays a brilliant yet very different man to the Travers we saw in Tibet, with age and the experience having taken his toll on him. But the great cast does not stop there: Tina Packer plays the intelligent Anne Travers, who would make a fantastic companion; Nicholas Courtney is memorable in his debut as the legendary Brigadier - although at the time, Colonel - Lethbrige-Stewart; and Derek Pollit makes a hilarious welsh army driver, who adds touch of lightness to this quite dark story.

The other thing that makes this story great is the atmosphere, which Doctor Who directing legend, Douglas Camfield captures brilliantly, utilizing the setting of the London underground to great effect. The Yetis, who I found to be pretty unspectacular in their debut, are much better in this story, and Camfield worked miracles on them, shooting them in brilliant angles to make them genuinely feel a threat.

Now onto the negatives of this story, the first being the setting. Yes!; what made the atmosphere also hindered my enjoyment somewhat, with most of the action taking place in far too similar looking corridors, simply because the story mostly took place in between tube stations. Very little progress felt like it was being made because of this, and lengthy scenes were made to feel a tad dull.

Towards the end of the six-parter the idea of a traitor was hinted at and - I shall not spoil it - a certain person was the perfect candidate for this role, and some scenes even pointed towards them. In fact, I was absolutely convinced this certain someone was in alliance with the Great Intelligence, except they weren't. No one was. There was no proper delivery on this idea at all, giving me a pang of anti-climacticy when the credits rolled up. I feel both the character and the story would have benefited from utilizing this character in the way I expected, but it opted for a plot twist, which felt more of a cop out than a game-changing u-turn.

The Web of Fear makes a much better job of the Great Intelligence, has a great setting, a wonderful cast, and an array of action sequences, making this one of the best base-under-siege stories so far.
8/10

Friday, 25 March 2016

The Enemy of the World (TV Story) Review

Title: The Enemy of the World
Writer: David Whitaker
Original Broadcast Date: 23 December 1967 - 27 January 1968

2013 was a massive year for Doctor Who, seeing the 50th anniversary of the show, but also the biggest haul of missing episodes ever: all episodes of The Enemy of the World and five out of six of The Web of Fear made its way to online and to DVD release, to be watched for the first time in almost 50 years. Since, Enemy has shot up in fans' rankings, now an under-loved classic after years of being percieved as pretty mediocre story, but was it really all it was hyped to be, or just the opinion through rose-tinted glasses after the recovery of this action-packed, Bond-like six parter?

Short answer: not quite. I often found myself questioning if I was genuinely watching Doctor Who or just some James Bond imitation on a cheap BBC budget, with, something that mostly goes without saying for most 60s Who but needs stressing in this case, terrible additional cast. In fact I found only four out of ten or so side characters to be played decently, or at least to acceptable levels for its time. The others were utterly crap, especially Milton Johns, who played the greasy, unpleasant deputy of Salamander with absolutely no hint of talent and a god awful haircut. Also watch out for Adam Verney playing Colin with the acting ability of a lamp.

For what it lacks in the ability of some additional cast, it makes up for the brilliance of the others: Mary Peach plays a brilliant woman of action as Astrid (who would make a great companion by the way), Carmen Munroe as the brilliantly developed Fariah (another great candidate for companion) and of course Patrick Troughton, who not only plays the Doctor in this story, but the evil, cunning and manipulative Salamander.

On the subject of the villain, I'd like to mention what a brilliant actor Troughton is in portraying not just two seperate characters, but with such conviction and sheer talent that they don't just seem like different characters, it seems like two entirely different actors are playing the roles. It's crazy how well he plays it! I actually had to remind myself they were the same man.

Unfortunately the way early Doctor Who episodes were filmed made this work only to an extent. Usually an episode would be film practically live with only two or three breaks in, having to wrap up filming in about 75 minutes. This meant Troughton could not be in consecutive scenes with a different costume so easily and thus rather than back and forth scenes between the villain and the time lord, there are bursts of story progression for each character for a period of time, before switching to the other one, making the various plots all feel rather disjointed and not integrated, not simultaneously building towards a crescendo like most episodes do.

This was only made worse by Frazer Hines and Deborah Watling both taking a week off for filming of episode four, and thus not appearing for a lengthy one and half episodes, meaning focus had to be shifted to the other plot strands, which felt as if they were being run into the ground just before they finally returned to the screen to my great relief. This and the fact Salamander, being Troughton, took away screen time from the Doctor, also contributed to the story not quite feeling very Doctor Who-ish.

Ending on a high note after the noticeable dip in quality in the middle, The Enemy of the World is a mixed bag: with both breathtaking and crap performances, great scenes and clunky ones, but stands out in a series of base-under-sieges with a Bond-like feel and the lack of alien presence at all.
6/10

Wednesday, 23 March 2016

The Ice Warriors (TV Story) Review

Title: The Ice Warriors
Writer: Brian Hayles
Original Broadcast Date: 11 November 1967 - 16 December 1967

In the distant future the earth has descended into another ice age and the TARDIS lands near Brittanicus Base 3300, where scientists are fighting to fend off the advancing ice glacier. Deep beneath the glacier, something sleeps: a warrior frozen within the ice.

While by the time The Ice Warriors swung around we had seen our fair share of base-under-siege episodes, I never felt we were retreading steps with this rather chilling, atmospheric six-parter, that introduced one of Doctor Who's most iconic monster, the Ice Warriors.

Something that is established right from the start is the high tension nature of this story, which doesn't get in the way of light-hearted moments (see the Doctor landing the TARDIS sideways and Jamie, Victoria and him having to climb out of the TARDIS), allowing for each regular to shine. Whether its Jamie's plead for Victoria to wear tighter clothes, Victoria faking crying to secrete her conversation with the Doctor, or the Doctor failing to pull a lid off a bottle of poison, there are many scenes throughout that remind us of the almost homely feel of the trio, something that never felt quite there with previous companions Ben and Polly.

In their debut, the Ice Warriors are brilliant, from the costume design to their voices, they stun and intrigue you whilst being rather frightening. The special effect of their gun's fire is surprisingly good, and is a neat visual effect that adds to the polish of the story.

There are some heavy undertones present in this story, tying into the conclusion with a well-handled moral, that didn't feel an afterthought at all, but a well construed, and developed idea, while not making itself too obvious with the perfect balance of subtlety.

By the end of its six parts, The Ice Warriors had offered a great base-under-siege, with high stakes and tension, a frightening monster, deep undertones, and a great use and exploration of a highly atmospheric setting, while never under or overstaying its welcome.
9.5/10

Monday, 21 March 2016

The Abominable Snowmen (TV Story) Review


Title: The Abominable Snowmen
Writer/s: Mervyn Haisman and Henry Lincolm
Original Broadcast Date: 30 September 1967 - 4 November 1967

The Doctor, Jamie and Victoria land in the Himalayas, where the previously shy and timid Yeti are reported to appear violent, attacking travelers. When the Doctor visits a Bhuddist monastery, the least he expects is to become ensnared in the plans of an extra-dimensional being.

After a mediocre outing with the Cybermen, Season 5 fails to redeem itself with this boring, drawn out six-parter that shows hints of what could have been a riveting adventure.

These glimpses mainly are in the first one and a half, and the fifth episodes, the former extremely atmospheric and compelling in its introduction, mirroring those of The Time Meddler and Marco Polo. But unlike these two masterful serials once the side characters are brought in I found myself stifling yawns during what is best described as tedious politics between the monks. These monks in question are one of the biggest problems with its story: their costumes look cheap and glued together with sequins, their characters are very one-dimensional and in places incredibly annoying, and I'm pretty sure there were no Caucasian Buddhist Abbots living in Tibet in 1935!

Beyond the first two parts, the most enjoyment I got from this story was from the chemistry between Victoria and both Jamie and the Doctor. A stark contrast to her previous story, Victoria is much more active, and is delightfully inquisitive throughout the six parts, leading scenes with great confidence and experience. Even her excessive screaming has its pluses, with it being played for the laughs early on in the story:
"If you need me for anything just yell your head off."
"Don't worry, I will!" 
By the fourth episode there is a definite feeling of claustrophobia, where the setting is severly underused: the story sticks to the first three settings it stumbles upon, making for some tedious to-and-fro. Despite this the setting makes up for some great visuals in the second and only existing part, with some gorgeous and incredibly clear location shots, some that looked less grainy than the dimly lit sets of the monastery.

The big-bad of The Abominable Snowmen, the Great Intelligence, is also the big-bad in the story's quality, never feeling like the proper villain, but rather a servant of the great (but tellytubby-like) Yeti, which is ironic considering the actual standings. While a interesting concept, the Great Intelligence doesn't actually do very much, rather than saying things in an echo-y voice and hypnotizing people (which is used as a plot-device far too often).

From this story alone I would question the sanity of the man who decided bringing them back would be a good idea, but then again they also decided to broadcast this abominable second outing in a so far poor season.
5/10

Saturday, 19 March 2016

The Tomb of the Cybermen (TV Story) Review


Title: The Tomb of the Cybermen
Writer: Gerry Davis and Kit Pedler
Original Broadcast Date: 2 September 1967 - 23 September 1967

Back yet again, the Cybermen face the Doctor, Jamie and Victoria as an archaeological dig uncovers a control centre, where deep below a chamber holds the long-lost tomb of the Cybermen - an archaeological marvel, that is until they start to wake up. Often credited as one of the best stories of Doctor Who ever, The Tomb of the Cybermen inevitably has a reputation that precedes it, but I never expected be as clumsy as it was.

My major complaint behind this four-parter is the lack of genuine threat behind the Cybermen, something that was what made previous stories such as The Moonbase and The Tenth Planet so good. This is mostly due to the fact they have very little to do throughout the story, being trapped down n the tomb for the entire length, and when they do get some action their movement seems more erratic, destroying a certain edge from their emotionless robotic factor.

Two new additions to Cybermen lore comes in the forms of the rodent-like Cybermats and the Cyberleader - I'll get to him later. The Cybermats seem like a poorly explored idea done to bring a bit more action to the story, seeing as the Cybermen are unable to get out of the tomb. This isn't the only case of this: the story constantly relies on short sequences of action that feel totally irrelevant to the plot, clutching at straws to stretch the story to fit four parts, namely the Episode 1 cliffhanger, which you later learn doesn't affect standings much at all. The aforementioned Cyberleader who again could have been quite scary isn't simply because he looks rather phallic, and doesn't add much, again feeling like another side-step just to stretch out the rather lacking main plot.

Victoria, having joined the TARDIS in the previous story, The Evil of the Daleks, doesn't do much, failing to sell me on her character, simply because all she seems to do the entire story is stay out of trouble's way and scream... a lot. She does get a bit of action when she tries to attack a Cybermen with a water bottle (again adding to her lack of suitability as a companion), but apart from that she is pretty void of any integrity or character for that matter. Despite this Troughton and Watling have some great chemistry and real potential is shown in the character by the Doctor's side.

"Ah, you scream real good, Vic!"

Missing episodes often benefit in terms of fans' opinions due to the lack of visuals, which means visual faults cannot be judged, and I feel this story would be much higher regarded if so. The direction is pretty clumsy throughout, with some erratic Cybermen attacks, and poorly thoughout camera angles and cuts. Sometimes it is not entirely clear what is going on, and I sometime had to rewind the episode to figure it out.

Despite all the problems there are glimpses of genuine script-writing genius, especially in the opening half of the first episode, setting an excellent tone, utilizing the setting of an archaeological dig that works really well in Doctor Who. Other highlights include the Doctor's interactions with his companions, with some great comedy moments (such as the Doctor and Jamie's accidental hand-holding, and Jamie's reactions to the Doctor's 'metal breakdown' pun), but also those with some great insight into the characters (such as the Doctor and Victoria's talk about the events of the previous episode and the death of her father).

"You probably can't remember your family"
"Oh yes, I can when I want to. And that's the point, really. I have to really want to, to bring them back in front of my eyes. The rest of the time they sleep in my mind, and I forget. And so will you. Oh yes, you will. You'll find there is so much more to think about. So remember, our lives are very different to anybody else's. Thats the thing. There's nobody in the universe who can do what we're doing" 

Opening Season Five in a clumsy fashion, The Tomb of the Cybermen suffers from lack of a meaty plot, leading to blatant points added in just to dial up the action, poor direction and Cybermen who feel not at all scary, but does have glimpses of brilliance, adding some redeeming factors to this highly overrated adventure.
6.5/10

Thursday, 17 March 2016

The Legends of Ashildr (Book) Review


Title: The Legends of Ashildr
Writer/s: James Goss, David Llewellyn, Jenny T. Colgan and Justin Richards
Original Release Date: 10 December 2015

Taking a break from our usual Classic Who reviews, we come to The Legends of Ashildr, an anthology of four short stories starring Ashildr on her many adventures during her eternal life, taking place in between the Series 9 episodes, The Girl Who Died and The Woman Who Lived. Because of its format I thought it would be best to review each of the four short stories individually and give my final verdict of the book at the end. To start with we have...

The Arabian Nightmare by James Goss
Opening the collection comes an interestingly-formatted story basing itself around the idea of shorter adventures combined into a large scale picture and it works to an extent. The length of only 70 pages (in rather large font) results in a writing style that feels far too passive and condensed, that if a paragraph is skipped (or even a sentence for that matter) you may miss a multitude of key events.

These shorter adventures tie together well but a certain character seems to have been forgotten and is written out without any conclusion which may have been done on purpose, to make a statement on how things as important as human life is dismissed so easily when one is immortal, but this seems more like an afterthought.

Overall an interestingly formatted story that didn't quite work, but may have done so better if stretched out into a full book.
5/10

The Fortunate Isles by David Llewellyn
Second in order, David Llewellyn's entry is a much better example of a structured and well-construed story, telling of Ashildr, in alliance with a group of sailors, in search of an island of treasures, providing a slightly naff but better realised plot.

From the get go you'll notice the much more detailed and drawn out writing style, offering a significant improvement over the previous entry, and there being much more focus, allowing for a more leisurely and natural pace. That is until halfway through the story, which feels much more rushed and once again could have worked better if developed into a full book, a recurring problem with this anthology. The Fortunate Isles' biggest problem lies in the fact two stories into the book it is nothing more than a filler.
6.5/10

The Triple Knife by Jenny T. Colgan
Tragic, emotive and heavy in significance, The Triple Knife is an example of what these short stories should be. There is not much that can be said without spoiling the plot, for it leads into an event we've seen on TV beautifully, and in a clever fashion, and explores the moral hardships Ashildr faced and the narration carries a definite weight, reflecting the character's outlook on life, but falls down slightly in the delivery which would have benefited from a few extra pages, resulting in a slightly convoluted telling of the tale, and the main plot feel forced to fit the conclusion.
7.5/10

The Ghosts of Branscombe Wood by Justin Richards
Ending the collection with a bang, The Ghosts of Branscombe Wood is the perfect mixture between filler and arc-heavy, allowing for its own tale to be told, but also connections to be made with previous adventures and TV appearances. By the end of the tale you also get a real sense of the character's development, which worked much better in the narration of Ashildr, rather than third person used in the first two. The plot is fun and intriguing, simple but fitting for its length and  it is told in perfect pace, something that is lacking in the other tales.
9.5/10

Overview

Overall The Legends of Ashildr is a mixed bag, with two mediocre stories that failed to grasp the essence of the character and the show, feeling more like fairy tales than extended universe stories, and two excellent ones, working in a much better perspective, that allows for better pacing, plots and characterization of the woman who lived.

7/10

Tuesday, 15 March 2016

Season 4 - Ranking and Stats


Doctor Who - Season Four (1966/67)
10 September 1966 - 1 July 1967

William Hartnell's last and Patrick Troughton's first, Season 4 of Doctor Who was a roller coaster throughout, providing us with unforgettable moments such as the first Cyberman appearance and the first ever regeneration. Season 4 is undeniably one of the biggest game-changing seasons, second only to the very first.

Ranking

  1. The Tenth Planet (9.5/10)
  2. The Evil of the Daleks (9/10)
  3. The Moonbase (9/10)
  4. The Highlanders (9/10)
  5. The Power of the Daleks (8/10)
  6. The Macra Terror (8/10)
  7. The Smugglers (7.5/10)
  8. The Underwater Menace (6/10)
  9. The Faceless Ones (5/10)
Averaging these out means Season Four has an average rating of...                  7.89/10

And a range of                                                                                                        4.5

From my ratings we can see Season Four had:
4 Amazing Episodes (9+/10)
2 Great Episodes (8+/10)
1 Good Episode (7+/10)
1 Okay Episode (6+/10)
1 Bad Episode (4+/10)
1 Terrible Episode (2+/10)

Here is a graph of my ratings:
The red line is the average. Click to enlarge.

Comparison

So far in our marathon we rated all over Season One, Two and Three's episodes, par the missing ones, so the averages could change when I get around to listening to the surviving audio or watching orphaned episodes.

In terms of average quality, Season Four comes in at second place, behind Season Two.

  1. Season Two - 7.94/10
  2. Season Four - 7.89/10
  3. Season One - 7.79/10
  4. Season Three - 7.5/10
In terms of range, it is in second as well. As so many Season Three episodes are missing, the range is counted from the only three surviving serials, so this is bound to change.
  1. Season Three - 2.5
  2. Season Four - 4.5
  3. Season One - 5.5
  4. Season Two - 8
That's all folks! Join us in two days time for a review of The Legends of Ashildr, the book, and following that: the first episode of Season Five: The Tomb of the Cybermen!

Sunday, 13 March 2016

The Evil of the Daleks (TV Story) Review

Title: The Evil of the Daleks
Writer: David Whitaker
Original Broadcast Date: 20 May 1967 - 1 July 1967

"The Hybrid is not half Dalek. Nothing is half Dalek. The Daleks would never allow that!" 
These words uttered 48 years and 10 Doctors after The Evil of the Daleks seemed to be inspired by this fantastic and high-staked finale, because this is the story behind how the Doctor found that out.

The story picks off from where The Faceless Ones left us: the Doctor and Jamie, now without Ben and Polly, stuck in 1966, with the TARDIS having been stolen. Their search for the time machine leads them into the hands of Mr. Waterfield, an antique shop owner who seems to stick out like a sore thumb in the swinging '60s. The antiques that aren't so antique and the victorian-dressed Mr Waterfield prove the be the least of the Doctor's issues after he discovers a plot, devised by his worse enemies: the Daleks!

Like most stories in the fourth season, The Evil of the Daleks is missing... mostly. The second episode of this seven-parter remains the only existing episode (to our knowledge), and you can be glad of that, as it is is full of intrigue and mystery, which can't quite be captured on audio.

The story dips slightly in quality by the fifth part, but is back up again, reaching new heights by the sixth episode. What the fifth episode does lack in substantial progression, it (partly) makes up for with an intriguing investigation into what sets humans and Daleks apart. This idea's further exploration is promised, and unlike most Doctor Who episodes with interesting undertones, delivers, which leads into the clever conclusion.

Regular readers may remember my disappointment in the under-usage of Jamie in previous stories such as The Moonbase and The Highlanders, and I'm glad to say Jamie finally got time in the spotlight, given some great scenes in which he stood up to the Doctor. Just as when Barbara did the same in The Edge of Destruction, this stand lead to their friendship seeing new proximity, as the odd pair form a brilliant and entertaining duo.

The Evil of the Daleks, originally planned to be the final ever appearance of the Daleks, would have provided a lovely bow-out for everyone's favourite pepper-pot mutants, but thank god they didn't, because by the end of this glorious seven-parter I just wanted more of them!

Friday, 11 March 2016

Companion Stats: Ben Jackson and Polly Wright

Names: Ben Jackson and Polly Wright
Actor/Actress: Michael Craze and Anneke Wills
Doctor/s: First and Second
Years: 1966 - 1967

Coming in right at the end of the Hartnell era, Ben and Polly traveled with the Doctor, and were the first companions to help the Doctor through his regeneration. The two intuitive and brave citizens of the swinging 60s were swept off in the TARDIS by accident, in The War Machines and stayed on until The Faceless Ones, one season and one Doctor later.

Episode Ranking

  1. The Tenth Planet (9.5/10)
  2. The War Machines (9/10)
  3. The Moonbase (9/10)
  4. The Highlanders (9/10)
  5. The Power of the Daleks (8/10)
  6. The Macra Terror (8/10)
  7. The Smugglers (7.5/10)
  8. The Underwater Menace (6/10)
  9. The Faceless Ones (5/10)

These average out to make...                                                                            7.89/10
With a range of...                                                                                                  4.5

We can also break this down into meaning Ben and Polly starred in...

4 Amazing Stories (9+/10)
2 Great Ones (8+/10)
1 Good One (7+/10)
1 Okay One (6+/10)
1 Bad One (4+/10)

In my opinion Ben and Polly are at their best in their debut, The War Machines, where they show their bravery and resourcefulness, displaying their suitability as companions.

Here is a graph showing the performance of Ben and Polly's run:

The red line represents their average (7.89/10). Click to enlarge.


Comparison

We can see the young pair come in at third place in terms of quality of episodes:
  1. Vicki Pallister - 8.08/10
  2. Steven Taylor - 8/10
  3. Ben Jackson and Polly Wright - 7.89/10
  4. Susan Foreman - 7.7/10
  5. Ian Chesterton and Barbara Wright - 7.65/10
  6. Dodo Chaplet - 7.5/10
And again, at third place, with consistency! Remember the lower the consistency the better!
  1. Dodo Chaplet - 2.5
  2. Steven Taylor - 3
  3. Ben Jackson and Polly Wright - 4.5
  4. Susan Foreman - 5.5
  5. Ian Chesterton and Barbara Wright - 8
  6. Vicki Pallister - 8
These results could differ (extremely so in Steven and Dodo's case) when I finally get round to reviewing the missing Hartnell episodes, so these standings are temporary.

Join us in two days time for the review of the Season 4 finale, The Evil of the Daleks!

Wednesday, 9 March 2016

The Faceless Ones (TV Story) Review

Title: The Faceless Ones
Writer: David Ellis and Malcolm Hulke
Original Broadcast Date: 8 April 1967 - 13 May 1967

The TARDIS lands in Gatwick Aiport, 1966, where Polly discovers a murder in a nearby hangar, before she is kidnapped. Jamie and the Doctor attempt to find her when they uncover a series of mysteries, all revolving around Chameleon Tours: planes full of thousands have people have arrived in their destination with no one on board!

From what I heard about this story I expected it be an early Troughton masterpiece; that, it certainly was not! The episode starts off with a great chase scene, where the Doctor and friends all separate as they are chased by the police around the runway of an airport. I regret to say this was the most enjoyable part of the story. After that it all goes downhill.

The Faceless Ones, with such an intriguing concept behind it, failed to capitalize on its potential, leaving us with a rather unpolished, inconsistent story that dragged on too long. Perhaps it would have worked if it was reduced to four parts, but pacing is not its biggest problem. Instead that lies in how it handles (or fails to) the characters, with Ben and Polly completely sidelined for most of what is their final appearance, only present in the first two and last episodes. While not as bad as Dodo's departure, it feels more offensive mainly because of the fact no one liked Dodo (sorry Jackie Lane!); Ben and Polly were a fantastic duo that brought some lovely charm to many adventures across the two Doctor's eras they featured in.

Adding to the already ridiculous situation, the lovely Pauline Collins (who I'm afraid can't pull off a Liverpool accent) takes their place for the rest of the episode, but even then, she is completely underused and forgotten about for large periods of time throughout.

Even with complications such as this stripped away, The Faceless Ones still lacks in quality, with a menace that never really felt menacing and (as two episodes remain intact) sloppy direction, making this story feel like it never took off. (Get it? Because its set in an airport? Ah forget it!)
5/10

Monday, 7 March 2016

The Macra Terror (TV Story) Review

Title: The Macra Terror
Writer: Ian Stuart Black
Original Broadcast Date: 11 March 1967 - 1 April 1967

The Macra Terror, sorely missed from the BBC archives, follows the adventures of The Doctor, Ben, Polly and Jamie in a earth colony holiday camp, where they're treated with luxury, but something doesn't seem right. A prisoner escapes, crying about massive insects, but no one believes him - the Macra don't exist! Or do they?

Plunged straight into action, the story sticks to this fast pace throughout its four parts, which works well considering some aspects of the plot are a little daft and are best moved on from, but its a lot of fun nonetheless. Countering The Moonbase's problem with dealing with three male leads, everyone, Doctor and companions included, has something to do in this story, and both Ben and Jamie are given some great time in the spotlight (and the latter is even given some hilarious lines).

As with all the missing episodes, the soundtrack is the only fragment of the episodes that exist, which could potentially work in its favour (60s Who Costume Design + Giant Crabs = Oh Dear!), or not considering the annoying screechy incidental music that could have been masked over with the brilliant visuals.

I'd also like to mention the great use of the setting in this story, with some great chase scenes (at least I assume they're great) and some touches to give the sense of the scale of the colony.

The Macra Terror is spectacular and incredibly unique, something quite unlike anything other in Who history, so very weird, but so very compelling.
8/10

Saturday, 5 March 2016

The Moonbase (TV Story) Review

Title: The Moonbase
Writer: Kit Pedler
Original Broadcast Date: 11 February 1967 - 4 March 1967

Only 4 stories after their original appearance the Cybermen returned to Doctor Who in this frightening and well crafted base under siege.

The Doctor, Ben, Polly and Jamie land on the moon to find a base that controls the weather on earth, but there is mass fear among the crew. A disease is spreading and more and more people are dying, but the Doctor discovers something far more deadly on board the moonbase.

Jamie, in his second trip in the TARDIS, I found was slightly underused, due to the fact this was a very science-fiction based story, with less action than usual and thus the Scottish highlander couldn't add much to the progression. Instead he was sidelined, and Polly and Ben took the spotlight.

The Cybermen, were much creepier than in their first appearance, mostly due to the redesign which fixed the issue I had with their voices: now they sound much less camp and much scarier. Their improved fear factor is also due to the story allowing for some genuinely creepy moments and cliffhangers.

The fourth episode is a bit of a let down considering the superior quality in terms of plot of the first three but I still enjoyed the resolution to this brilliant base under siege, that keeps you simultaneously on the edge of your seat and hiding behind the sofa.
9/10


Friday, 4 March 2016

The Evil of the Daleks DVD Cover Mockup

Click here for a larger version

Here is my mock up cover for a DVD of The Evil of the Daleks! This is my second ever attempt at one of these so I'm rather proud of it and it is a massive improvement over my Marco Polo cover.

My review for this story will be up on the 13th of March, at 6:00 UK time!

Thursday, 3 March 2016

The Underwater Menace (TV Story) Review


Title:  The Underwater Menace
Writer: Geoffrey Orme
Original Broadcast Date: 14 January 1967 - 4 February 1967

Ah, The Underwater Menace! What a story! Mad scientists, Atlantis, fish people: this story is utterly unforgettable, simply because its absolutely bonkers!

With Jamie now on board, the TARDIS lands on a deserted volcanic island, where deep below the surface the lost city of Atlantis thrives. Behind the seemingly primitive civilization, a scientist plots to destroy the world.

I actually really enjoyed watching this story, but that doesn't mean it's not crap. The story was very entertaining throughout but the plot was rather daft and far-fetched to say the least. The costume design, on par with The Web Planet's Menoptra, is terrible, with the fish people, who in concept are rather scary (and make for a spine-tingling cliffhanger to Part 1), look like a child's Halloween costume stitched together the previous night. Adding to this, the costumes for the residents of Atlantis are ugly and do nothing for the serial, other than add to the existing campness.

Thanks to the late decision to bring Jamie on board the TARDIS, Orme had the job of splitting lines between the now three companions which causes some lack of characterization, most offensive in the case of Polly, who is sidelined and portrayed as a weak, whimpering shell of the real character. Not affected by this, Troughton's Doctor, now comfy in the role, is undeniably awesome, providing a brilliant opposition against Joseph Furst who plays a chillingly mad scientist, who's progression into hysteria is unnerving. Their rivalry reflects that between The Doctor and The Master, yet to come into fruition by the time of the story's broadcast. Even so Furst's strong performance failed to draw a veil over the character's lack of development, with a poor excuse behind his motivations.

The second episode of The Underwater Menace is in fact the very first surviving Troughton episode, and while I'm thankful I got to watch him oppose a mad scientist whilst Polly, Ben and Jamie are dressed in fish-themed costumes, I'd much rather have the chance to see the creepy and atmospheric Power of the Daleks or the fun romp, The Highlanders over this entertaining but beyond far-fetched adventure.
6/10

Tuesday, 1 March 2016

The Highlanders (TV Story) Review

Title: The Highlanders
Writer: Elwyn Jones and Gerry Davis
Original Broadcast Date: 17 December 1966 - 7 January 1967

Placed right after Patrick Troughton's debut comes The Highlanders, introducing the Second Doctor's most famous and longest running companion, Jamie McCrimmon, and bringing an end to the pure historicals, being the very last one to broadcast for 15 years.

The Doctor, Ben and Polly land in Scotland, right after a battle between rebels and Red Coats, where they befriend a group of highlanders. Polly, by chance, manages to escape before British soldiers discover the rebel's hiding place and take The Doctor, Ben, Jamie, and Colin McClaren, the Laird to hang...

From that sypnosis you may have been able to figure out that this story follows the basic historical formula, with focus on imprisonment and attempts to escape, but this ceases to matter to me as it did it so well and it has its own unique charm, with a variety of unique settings and landscapes, and intriguing sub-plots.

Jamie McCrimmon in his first ever appearance is surprisingly underwhelming, and from any of the supporting cast, Kirsty, the daughter of the Laird seemed a more suitable choice for a companion from this story alone. This is mostly due to him being originally written to be a side character exclusive to this story, not planned to become a companion. This changed when the cast and crew got on so well with Frazer Hines, thus he became apart of the TARDIS team.

The Second Doctor, now settled into the role, was allowed to flex his muscles, and Troughton allowed to parade his talent, portraying The Doctor's comedy side as he deceives enemies by dressing up as an old lady, a German Doctor and a British soldier, which provides some great comedic moments. Its a shame this story is missing as I would love to see Troughton in disguise of an old crone.

The Highlanders is often overlooked by most fans, but this last hurrah for the historical genre never failed to impress me with its clever dialogue and plot, characters and hilarious comedy moments.
9/10

Sunday, 28 February 2016

The Power of the Daleks (TV Story) Review


Title: The Power of the Daleks
Writer: David Whitaker
Original Broadcast Date: 5 November 1966 - 10 December 1966

Patrick Troughton's first story, unfortunately missing, sees Ben, Polly and the newly regenerated Doctor arrive on the Earth colony, Vulcan where trouble is stirred up when experiments on the inhabitants of a 200 year old capsule, buried deep beneath the earth, is dug up.

The first two episodes are some of the best Doctor Who has seen, with the former focusing on the Doctor's regeneration and Ben and Polly's reactions, and the latter bringing the main plot into centre stage with a gloomy, genuinely scary atmosphere. But beyond these first two episodes it goes downhill a bit unfortunately. un

By the fifth episode it starts to drag with not much happening and very little progress made between each episode, that is until the final part, which compared to its predecessors is slightly jarring, with a much faster pace and a vast array of action sequences. The story also feels slightly 'all bark no bite' with promises made of epic rebellion fight scenes and development of the trust between the Doctor and his companions not delivered on, or at least not to full potential.

The sixth and concluding part also only briefly touches on a concept, delving into the travesty the Daleks cause, that could have really benefitted the story if drawn out and developed much more, but didn't take away much with its brief mentioning.

From this review it may seem I hated the episode but honestly I really enjoyed it and I felt it was a rather strong story, but due it to it being one of the most hyped up stories of Doctor Who history I couldn't help feel a little disappointed with its flaws. Problems aside Troughton is fantastic and plays a strikingly different Doctor to Hartnell to great effect and proves himself a worthy replacement in this great Dalek story that, for me, just couldn't live up to it's reputation.
8/10

Friday, 26 February 2016

The Tenth Planet (TV Story) Review

Title: The Tenth Planet
Writer: Kit Pedler and Gerry Davis
Original Broadcast Date: 8 October 1966 - 29 October 1966

The Tenth Planet is the first of many things: the first appearance of the Cybermen, the first base-under-siege story and the first regeneration of the Doctor, but beyond its legendary status, the story remains standing as a clever and genuinely creepy bookend to the Hartnell era.

The Doctor, Ben and Polly land in the South Pole, 1986 where the most recent routine space flight has taken off, but strange things begin to happen. Outside the window of the spaceship the pilots see a tenth planet, that looks exactly like earth, moving towards them. And then something lands by the arctic base, something that was once human, but not anymore.

In their first ever story the Cybermen are incredibly menacing, and dare I say, scarier than the Daleks. The image of the blank faced creatures, lacking all human emotion, making its way across an icecap is particularly frightening; it is no wonder they were brought back only four stories later. My minor and only issue with them (and this story in fact) was the voiceover was sometimes out of sync with the actors, so the suspense was stunted a bit.

On the other end of the spectrum, in Hartnell's final regular appearance, he is stunning, despite his absence from the third chapter. He brings a definite gravitas to his scenes and proves his worth, making this a fantastic episode to leave in. His absence is written out fairly well, improving the regeneration with some lead up to the event, but it would have been nice to have had one of the very best Doctors at centre-stage the entirety of his final story.

His regeneration is short but sweet, and I proudly admit I shed a few tears at his final and heartbreaking line, which was such a major contrast from his frosty personality in his first few episodes, showing his growth as a character, but also seemingly a line talking directly about the show, because it didn't finish with Hartnell's departure; no; it was, it is far from being over:

"...It isn't all over. It's far from being all over... I must go now... Ah yes! Thank you. It's good! Keep warm."

9.5/10


Thank you, Mr Hartnell!


Wednesday, 24 February 2016

The Smugglers (TV Story) Review

Title: The Smugglers
Writer: Brian Hayles
Original Broadcast Date: 10 September 1966 - 1 October 1966

In Ben and Polly's first trip in the TARDIS, and Hartnell's penultimate one, we are served a fun yet slightly forgettable adventure of smugglers and pirates situated at the coast of Cornwall.

For the recent visitors, you may have noticed: this is my very first review of a missing episode and as no substantial video footage or animation are available this review is entirely based off the soundtrack, so my final rating is more of an estimate than a definite judgement as the addition of the video footage could either aid or lower the score it receives. Anyway: on with the review!

In his second-to-last story Hartnell is excellent. He achieves an wondrous charm next to his two new younger companions and the script proves the character has developed over his run, with The Doctor actively attempting to save people and going out of his way to do so, something that wouldn't have been dreamed of back in his first year.

The plot is relatively simple but by the third part gets clouded with too many unnecessary characters, something that wouldn't prove as much of a problem if I had visual aid, and without I felt a little lost and overwhelmed at times. The first two episodes, as often in the Hartnell era, are better than the final two, with the story dragging towards the end, subjecting to an unfocused wild goose chase that feels a little like a waste of time, but results in some fun.

The Smugglers is nothing special, but its not bad either. The plot is rather lackluster and is dragged on too long but the magnificence of Hartnell alongside his new companions played by Michael Craze and Anneke Wills does give this forgettable story some unforgettable moments.
7.5/10

Tuesday, 23 February 2016

Blog Announcement: Missing Episodes to be reviewed!


As I first begun my Doctor Who marathon I decided to avoid watching and thus reviewing the missing episodes to not over-complicate things but as time went on I begun to experience more and more gaps, that became ever more significant.

As I approached Hartnell's final two stories I decided I'd listen to The Smugglers, his penultimate story in audio form (released by the BBC with linking narration) and since I have decided from now on to start reviewing the missing episodes on this blog, well at least the soundtrack.

From tomorrow on wards The Smugglers will be reviewed and every missing story afterwards in chronological order, in between the surviving ones. For missing stories from the Hartnell era I've previously missed out I will go back and review them one day!

Also as a minor change, I will start releasing reviews and posts every two days rather than daily that I have been doing since last month. This is because I don't have enough time to watch and review a story per day, and my scheduled posts list is running dry.

Anyway: thanks for reading and enjoy all The Smugglers' review tomorrow and two days after that: The Tenth Planet, Hartnell's final story!


Monday, 22 February 2016

Companion Stats: Dodo Chaplet

Names: Dodo Chaplet
Actress: Jackie Lane
Doctor/s: First
Year/s: 1966

Only properly in 4 serials, (with two the only remaining) Dodo is a highly overlooked companion, but for a good reason. Far too similar to Susan, Dodo didn't really bring anything new to the show (if accents that change half way through an episode don't count). In my opinion Dodo was fun and acted well along side Hartnell, and unfairly suffered the worst exit of any Doctor Who companion: no exit at all!

Episode Ranking

  1. The War Machines (9/10)
  2. The Gunfighters (7/10)
  3. The Ark (6.5/10)
N.A. The Celestial Toymaker
N.A. The Savages

Note: I haven't included The Massacre as she was only in it for the last episode, for a few minutes at the end.

These add up to give Dodo an average episode rating of...                               7.5/10
And a range of...                                                                                                  2.5

This can be broken down into:
1 Amazing Episode (9+/10)
1 Good Episode (7+/10)
1 Okay Episode (6+/10)

In my opinion, of the surviving episodes, Dodo is best in The Gunfighters where she displays both her feisty and also her cute side.

Here is a rather pointless graph showing her run of episodes:

As usual the red line shows the average.

Comparison

We can see Dodo comes in last place in terms of quality of episodes:
  1. Vicki Pallister - 8.08/10
  2. Steven Taylor - 8/10
  3. Susan Foreman - 7.7/10
  4. Ian Chesterton and Barbara Wright - 7.65/10
  5. Dodo Chaplet - 7.5/10
But she has the best consistency of episodes (remember: the lower the range, the better the consistency of quality of episodes):
  1. Dodo Chaplet - 2.5
  2. Steven Taylor - 3
  3. Susan Foreman - 5.5
  4. Ian Chesterton and Barbara Wright - 8
  5. Vicki Pallister - 8
And thus concludes the final companion to leave during the Hartnell era! Join us tomorrow for a breakthrough blog announcement! (Don't get too excited)


Sunday, 21 February 2016

Season 3 - Ranking and Stats


Doctor Who - Season Three (1965/66)
11 September 1965 - 16 July 1966

After two seasons, Doctor Who faced a season of cast changes, from Vicki to Katarina, to Sara to Dodo, to Steven and finally to Ben and Polly, making up for a interesting season that feels as if it is trying to find its feet.

As so many of the stories are missing, tragically including the 13-part epic, The Dalek's Master Plan, there isn't much to rank and the average could be dramatically changed if we ever get hold of Season 3's missing episodes.


  1. The War Machines (9/10)
  2. The Gunfighters (7/10)
  3. The Ark (6.5/10)
N.A. Galaxy Four (?/10)
N.A. Mission to the Unknown (?/10)
N.A. The Myth Makers (?/10)
N.A. The Dalek's Master Plan (?/10)
N.A. The Massacre of St. Bartholomew's Eve (?/10)
N.A. The Celestial Toymaker (?/10)
N.A. The Savages (?/10)

Averaging out the very limited amount of ratings means Season 3 has an average of...
                                                                                                                          7.5/10
And a range of...                                                                                                 2.5

From this we can see the remains of Season 3 had:
1 Amazing Episode (9+/10)
1 Good Episode (7+/10)
1 Okay Episode (6+/10)

Now for the (almost pointless) graph!


Comparison

As I'm only three seasons into my marathon there isn't a lot of results to go by so this is fairly limited...

  1. Season Two - 7.94/10
  2. Season One - 7.79/10
  3. Season Three - 7.5/10
On terms of range, Seasons Three takes the top spot, with only three stories surviving, meaning it is the most consistent season so far. (Remember: the lower the range, the more consistent the series)
  1. Season Three - 2.5
  2. Season One - 5.5
  3. Season Two - 8
Join us tomorrow for stats of Dodo Chaplet, the companion with only three surviving stories, the same three as Season 3's surviving ones.


Saturday, 20 February 2016

The War Machines (TV Story) Review

Title: The War Machines
Writer: Ian Stuart Black (Idea by Kit Pedler)
Original Broadcast Date: 25 June 1966 - 16 July 1966

It might be just me but by the end of Season 3 I felt Doctor Who felt a bit distant. Steven, the companion left in the previous (missing) episode was a (needless to say a great companion but) a space traveler from the future, and Vicki the preceding companion (who was just as great) was a survivor of a spaceship crash, also from the future. Dodo, while from contemporary (or rather 1960s) London, didn't quite have to characteristics to suit the time period and felt a little out of date. Doctor Who felt a little too far from home, and The War Machines does a fantastic job of grounding the show, bringing in ties to contemporary times, something that had been missing for a large portion since Ian and Barbara's departure.

Arriving in the swinging '60s, Dodo and The Doctor go off to investigate a brand new supercomputer with the ability to think for itself. The supercomputer, WOTAN is a nicely-achieved villain, who genuinely feels quite threatening, with his hypnotic powers. The plot involved contemporary (at the time) London being invaded by WOTAN and his War Machines, the very first of Doctor Who's many earth invasion stories. Because of this, this story feels closer to New Who than any other First Doctor story.

Hartnell is great in this one, showing just how clever The Doctor can be (although watch out for him banging his head on a low ceiling in the fourth episode) and Jackie Lane finally feels at home in her role... That is until she has the worst companion departure in Doctor Who history, involving her going off because of a headache in episode two and then not appearing ever again. Instead a message passed on to The Doctor via Polly, one of the two new companions introduced in this story.

While this is a total bummer (and it didn't fit in with her character at all, previously stating she had nothing to go back to in her old life) her replacements, Ben Jackson, a cockney sailor, and Polly Wright, a spunky secretary, are introduced wonderfully and make a good team, working well with Hartnell's cheeky character.

All in all The War Machines is fantastic, but suffers from a poor exit for a hugely underrated and overlooked companion. Despite this, the introduction of Polly and Ben, two fun new companions, do somewhat make up for this massive disservice to not only the character but to Doctor Who as a whole.
9/10

Friday, 19 February 2016

Companion Stats: Steven Taylor

Names: Steven Taylor
Actor: Peter Purves
Doctor/s: First
Year/s: 1965 - 1966

Steven Taylor had big shoes to fill, with the exit of the original companions, Ian and Barbara, right on the heels of his entrance and he pulled it off. Whilst not as good as his predecessors, Steven Taylor makes a good match for Vicki and Dodo, the other companions he acted alongside.

Episode Ranking

  1. The Time Meddler (10/10)
  2. The Chase (8.5/10)
  3. The Gunfighters (7/10)
  4. The Ark (6.5/10)
N.A. Galaxy Four (?/10)
N.A. Mission to the Unknown (?/10)
N.A. The Myth Makers (?/10)
N.A. The Dalek's Master Plan (?/10)
N.A. The Massacre of St. Bartholomew's Eve (?/10)
N.A. The Celestial Toymaker (?/10)
N.A. The Savages (?/10)

Thanks to the sheer amount of missing Season 3 episodes he is only present in 4 existing stories.

The remaining episodes average out to make...                                         8/10
And a range of...                                                                                           3

This can be broken down to mean he starred in:
1 Perfect Episode (10/10)
1 Great Episode (8+/10)
1 Good Episode (7+/10)
1 Okay Episode (6+/10)

In my opinion Steven is best in the masterpiece that is The Time Meddler due to his wonderful chemistry with both The Doctor and Vicki in his first proper story.

Here is a rather pointless graph showing off his episodes' performances:

Comparison

We can see Steven comes second with his quality of episodes:
  1. Vicki Pallister - 8.08/10
  2. Steven Taylor - 8/10
  3. Susan Foreman - 7.7/10
  4. Ian Chesterton and Barbara Wright - 7.65/10
And has the lowest range (remember: the lower the range, the better the consistency of quality of episodes):
  1. Steven Taylor - 3
  2. Susan Foreman - 5.5
  3. Ian Chesterton and Barbara Wright - 8
  4. Vicki Pallister - 8
Join us tomorrow for the final Season 3 episode review, The War Machines!


Thursday, 18 February 2016

Remembering Jacqueline Hill (Feature Article)


On the 18th of February, 1993, too soon did another of Doctor Who’s stars blink out of the sky. Jacqueline Hill, best known for her wonderful portrayal of one of Doctor Who’s best and brightest, Barbara Wright, died on this day, 23 years ago. In memory of such a sad passing, this article celebrates the accomplishments of Jacqueline Hill during her time on Doctor Who, in which she defeated the Daleks, outwitted the Aztecs, escaped from the Zarbi and even stood up to the Doctor himself. With such a strong character that Jacqueline brought to life, Barbara’s courage and independence set the stonework for the modern Doctor Who companion.

Barbara Wright was among the first companions to set foot in the TARDIS, travelling with the Doctor from the very first episode, An Unearthly Child (1963), to Season 2’s penultimate story, The Chase (1965). In 16 stories and 77 individual episodes, Jacqueline shared the TARDIS with William Hartnell’s Doctor, Susan, the Doctor’s Granddaughter, Vicki Pallister, an orphan from the 25th century, but most importantly, Ian Chesterton, her partner in crime. These two were previously colleagues from Coal Hill School, before they were kidnapped by the Doctor and whisked off to various alien planets. These two frightened and unsure of the world they stumbled into stuck together through thick and thin, building the foundations of their relationship. Continuing that analogy, those foundations soon become a house by the third story, The Edge of Destruction, which (as a budget episode) set the four travellers (Ian, Barbara, the Doctor and Susan) alone in the TARDIS for two 25 minute episodes and whilst a little lacking in terms of plot, The Edge of Destruction is praised not often enough to be the story that really pulled the travellers together, from being four untrusting companions to becoming a family and this is where Barbara really shines. From her friendly banter with the Doctor and her teacher-like attitude towards Susan and Vicki, to her deep friendship (hinted to be something more) with Ian, Barbara displays her kind, caring personality, something Jacqueline pulls off excellently.

There is a common idea that Doctor Who, whilst in its early years featured female companions known to scream far too much and do far too little, but Barbara easily does not fit that bill. With only a few screams during her entire run (which when done, struck terror for that very reason), Barbara is a display of strong female independency, a rare sight in 1960s Sci-Fi, standing up to various enemies and the Doctor many times. Most notably as an example of this: Jacqueline’s performance in The Aztecs, but also an example of pure acting brilliance. In performing, Jacqueline lights up the room, – or rather, the set – bringing redeemable values to even the poorest quality stories (I’m looking at you Web Planet) and, I found, episodes without her presence lacked some gravitas in the performances, not to insult other members of the main cast, but rather the extras, who are known to be generally rubbish in 60s Who.

Beautiful, clever, compassionate, loving and strong-willed, Jacqueline Hill perfectly portrayed the character of Barbara Wright, who’s acting accomplishments remain to this day to be enjoyed over and over again or for the first time and aided Doctor Who to get on to its feet in its beginning, bringing enjoyment to even the worst episodes, and bringing much, much more to the very best. If Hartnell’s frosty but loveable Doctor and amazing story telling aren’t enough to convince you the Hartnell era is worth your time, Barbara Wright is sure to be that. Jacqueline Hill, while gone, is definitely not forgotten, providing the template for all companions to follow, her legacy echoing endlessly throughout Doctor Who.